Azure Ray
Hold On Love (Saddle Creek). Review by Aaron Shaul.
Hold On Love (Saddle Creek). Review by Aaron Shaul.
The Ladybug Transistor (Merge). Review by Aaron Shaul.
Fiat Lux (Mio). Review by Cody Canterbury.
Evolver (Humble Abode). Review by Aaron Shaul.
Uncle director/hobbit - posted by Ben Varkentine on February 15, 2004 13:54
For those of you still supporting Kucinich… - posted by Ben Varkentine on February 15, 2004 12:38
Bwa ha ha ha ha! - posted by Ben Varkentine on February 14, 2004 14:34
The President who cried… - posted by Ben Varkentine on February 14, 2004 11:10
Favorite Valentine’s Day song - posted by Ben Varkentine on February 13, 2004 23:57
Schadenfreude (more Angel stuff) - posted by Ben Varkentine on February 13, 2004 19:51
As it’s friday the 13th… - posted by Ben Varkentine on February 13, 2004 19:21
A better link for Moya - posted by Ben Varkentine on February 13, 2004 16:59
Literacy…gotta love it - posted by Ben Varkentine on February 13, 2004 16:15
We’ve got lots of books here, you know–it’s a bookshop! - posted by Ben Varkentine on February 13, 2004 12:36
Have I lost the real me, behind my charades? - posted by Ben Varkentine on February 13, 2004 11:31
Feed (Burnside). Review by Aaron Shaul.
Heart (Arts & Crafts). Review by Ben Varkentine.
Picasso’s Dream (Impressive). Review by Ben Varkentine.
Natural Selection (Epic). Review by Andrew Ellis.
A question for my Republican friends - posted by Ben Varkentine on February 12, 2004 11:54
John Badham’s 1983 future-tech helicopter thriller, Blue Thunder, with its cautionary tale of militarized police and a surveillance state, still resonates decades later.
What if the miracle of sight came with a curse? The Eye builds its horror from that chilling premise.
With the thirty-fifth anniversary of debut album Whirlpool, UK shoegaze outfit Chapterhouse is back together again and touring the US as part of Slide Away Music Festival.
The Englert theater hosted Little Feat as they embark on their Last Farewell Tour.
Meiko Kaji’s katana is sharp and looking for revenge in Wandering Ginza Butterfly and its sequel, She Cat Gambler, a stylish pair of early ’70s action films.