Glitterbox
Tied & Tangled (Atlantic). Review by Rick Pawelczyk
Music, media, and thought from the Ink 19 editorial team
Tied & Tangled (Atlantic). Review by Rick Pawelczyk
Print Review by Michael Crown
We Came To Kill (Metropolis). Review by drew West
_Record Low Turnout_Review by David Lee Beowülf
Minnie Greutzfeldt (Trance Syndicate). Review by Andrew Chadwick
Splinter (Metropolis). Review by drew West
We’re Solids (Suicide Squeeze/Up). Review by Kurt Channing
Selected Material (Eight Dimension/World Domination). Review by Carl Glaser
Feature by Vincent Basilicato
Stryke Presents the Rhythm Chamber (Adrenalin/C & S). Review by Nichole Smith
Event Review by Andrew Chadwick
Flying at a Slant (Knitting Factory Works). Review by Jackie Blue
Gear Review by Edward Tywoniak
Where the Sun Doesn’t Shine (Put It On A Cracker). Review by Mark Chester
Sweet Country Rock Ass (PimpRock). Review by Phillip Haire
Another Desert Another Sea (Headhunter/Cargo). Review by Kurt Channing
_The Trumans_Review by Brian Kruger
Better Living Through Chemistry (Astralwerks). Review by Carole Jaszewski
Nighttime Birds (Century Media). Review by Jeremy Wernow
John Badham’s 1983 future-tech helicopter thriller, Blue Thunder, with its cautionary tale of militarized police and a surveillance state, still resonates decades later.
What if the miracle of sight came with a curse? The Eye builds its horror from that chilling premise.
With the thirty-fifth anniversary of debut album Whirlpool, UK shoegaze outfit Chapterhouse is back together again and touring the US as part of Slide Away Music Festival.
The Englert theater hosted Little Feat as they embark on their Last Farewell Tour.
Meiko Kaji’s katana is sharp and looking for revenge in Wandering Ginza Butterfly and its sequel, She Cat Gambler, a stylish pair of early ’70s action films.