Wrap Me Up In Colored Feathers (Sugar Shack Music). Review by Christopher Long.

This week, Christopher Long revisits the 1973 self-titled debut from Maria Muldaur — another of many vinyl treasures that he received recently from an old friend, for FREE!

Popping the cork on his Garage Sale Vinyl Podcast series, Christopher Long revisits Streetlights, the shiny classic 1974 LP from Bonnie Raitt. Guest, Florida singer-songwriter Lexi Long, offers her thoughts on the record and Raitt’s celebrated artistry.

All-American music legend Bonnie Raitt played the Riverwind Casino Showplace Theatre in Norman, Oklahoma, recently while on her Live 2025 international concert tour. Longtime Ink 19 contributor Christopher Long was there and got the goods.

Live In Hollywood (Rhino Records). Review by Christopher Long.

Five years following its original theatrical release, Ink 19’s Christopher Long revisits the Linda Ronstadt biopic, The Sound of My Voice, to see if it still packs a punch.

In this final installment of his year-long series, Christopher Long rediscovers a true pop-rock treasure — a well-loved, six-dollar vinyl copy of Sound Magazine, the 1971 stinger from The Partridge Family.

Reckless Thoughts (Crooked Crown). Review by Christopher Long.

Christopher Long scores an absolutely ravaged vinyl copy of the 1977 self-titled debut from Karla Bonoff at a Florida flea market — for FREE!

Christopher Long scores Bonnie Raitt’s Streetlights on well-loved, slightly scratchy vinyl, at a Melbourne, Florida flea market.

Mercy Rising (Crooked Crown Records). Review by Christopher Long.

A Young Man’s Country. Review by James Mann.

Forever Man . Review by Stacey Zering.

The Corner. Review by Stacey Zering.

Wild and Free (Devious Planet). Review by Joe Frietze.

Love is an Army (Blue Elan). Review by Bob Pomeroy.

TajMo (Concord Records ). Review by Michelle Wilson.

Strays in the Cut (Noble Steed Music). Review by Bob Pomeroy.

Blind, Crippled and Crazy (New West Records). Review by Joe Frietze.

Blind, Crippled and Crazy (New West Records). Review by James Mann.