Frankie and the Witch Fingers
Trash Classic (The Reverberation Appreciation Society/Greenway Records). Review by Peter Lindblad.
Trash Classic (The Reverberation Appreciation Society/Greenway Records). Review by Peter Lindblad.
Bob’s been looking for a replacement copy of the rare John Cale release Sabotage/Live (1979, Spy Records) since 1991. He still hasn’t found a copy at a reasonable price, but a random YouTube video allowed him to listen and reminisce.
Tomorrow Never Comes (Epitaph). Review by Steven Cruse.
Flood Twin. Review by Bob Pomeroy.
At a time when we need the positive carefree sound of French yeh-yeh the most, April March comes through with a spicy new number.
iii (Flemish Eye). Review by Scott Adams.
Box (New West Records). Review by James Mann.
Deserted (Bloodshot Records). Review by James Mann.
Ash & Ice (Domino). Review by Jen Cray.
Gang of Four comes through Orlando, sort of, and Jen Cray is underwhelmed.
The Hunting Room (Manufacture). Review by Carl F Gauze.
Kellies (Fire). Review by Matthew Moyer.
The Day The Country Died, EP/LP, From The Cradle To The Grave, Rats/Time Flies, Worlds Apart, 29:29 Split Vision (Bluurg Records). Review by Scott Adams.
Life Processes (Mute). Review by Andrew Coulon.
Which Way Is Mine (Self-released). Review by Kyrby Raine.
Down On Pacific (Reynolds Recording Co.). Review by Jen Cray.
1985-1987 (Smooch Records). Review by Matthew Moyer.
Northern Stories 1978/80 (Caroline True). Review by Aaron Shaul.
You and Me Against the World, Baby (Boiling Point). Review by Bob Pomeroy.
English Self Storage (Sink & Stove). Review by Aaron Shaul.
With the thirty-fifth anniversary of debut album Whirlpool, UK shoegaze outfit Chapterhouse is back together again and touring the US as part of Slide Away Music Festival.
The Englert theater hosted Little Feat as they embark on their Last Farewell Tour.
Meiko Kaji’s katana is sharp and looking for revenge in Wandering Ginza Butterfly and its sequel, She Cat Gambler, a stylish pair of early ’70s action films.