Prettier Than Pink
Chop Suey (Sutton Records). Review by Kyrby Raine.
Chop Suey (Sutton Records). Review by Kyrby Raine.
The Hidden Hand (Gold Standard Labs). Review by Daniel Mitchell.
Dylan Garret chats with Dan Geller of I Am The World Trade Center about dance music, DJing, downloads, and how New York City needs to stop being so damned expensive already. All this and more, with less questions about the band’s name than you’ve come to expect. Well, okay, just one. But it’s a good one.
Daniel Mitchell discusses free health care, Krishnas, and Crownhate Ruin with the gentlemen of True North.
postpunk,math rock,Daniel Mitchell,True North,,,Daniel Mitchell
Year Future (GSL). Review by Daniel Mitchell.
indie,math,punk,Year Future,Year Future,GSL,Daniel Mitchell
Soiled Life (GSL). Review by Daniel Mitchell.
Soiled Life (GSL). Review by Daniel Mitchell.
Saint Something (My Pal God Records). Review by Daniel Mitchell.
Kill the Lights (What Else?). Review by Daniel Mitchell.
Fever to Tell (Interscope). Review by Stein Haukland.
Fever to Tell (Interscope). Review by Stein Haukland.
At Crystal Palace (Troubleman). Review by Daniel Mitchell.
Chrome Rats vs. Basement Ruts (Gold Standard Laboratories). Review by Daniel Mitchell.
Basic Instructions EP (Epitaph). Review by Daniel Mitchell.
Radio One Sessions (Koch). Review by Daniel Mitchell.
Purely Evil (Troubleman Unlimited). Review by Stein Haukland.
The Symptom and the Sickness (Kindercore). Review by Daniel Mitchell.
The Spins 7” (Exit Stencil Recordings). Review by Daniel Mitchell.
With the thirty-fifth anniversary of debut album Whirlpool, UK shoegaze outfit Chapterhouse is back together again and touring the US as part of Slide Away Music Festival.
The Englert theater hosted Little Feat as they embark on their Last Farewell Tour.
Meiko Kaji’s katana is sharp and looking for revenge in Wandering Ginza Butterfly and its sequel, She Cat Gambler, a stylish pair of early ’70s action films.