Mixtape 134 :: Identity Theft
Taking their name from Australian slang for something not good, The Chats are here to strike fear in the hearts of parents and guidance counselors across the globe.
Taking their name from Australian slang for something not good, The Chats are here to strike fear in the hearts of parents and guidance counselors across the globe.
Not unlike fine Swiss clockwork, the duo that calls themselves Yello have been ticking for four decades without missing a beat.
The Just Joans keep it in the family, and they keep it fairly civil, covering their lethally caustic Scottish wit in a layer of pleasant pop.
Listening to Fantastic Negrito is like lifting the lid on a simmering pot to a wonderfully exotic yet very familiar blend of spices.
Bill Callahan has been wandering the halls of music for quite some time now, his deep voice and aimless arrangements a constant hypnotic presence.
In order to locate the psychedelic rainbow treasure trove that is Joey Joesph, you will have to navigate and defeat countless auto-corrects.
The first wave of UK punk crested and shrank back, but the Mekons are still thrashing and foaming.
It’s easy to suspect Ray LaMontagne came from a recently unearthed time capsule documenting the folkie scene of half a century ago.
The extremely productive Messer Chups hails from St. Petersburg, Russia, and is currently going through some very heavy surf.
It’s been 45 years since Chrissie Hynde initially hit her stride with the Pretenders, and she hasn’t slowed down for anybody since.
Matt Sharp and The Rentals have always attracted a stellar cast of musicians to help them assemble their popsong symphonies.
Billy Martin’s drumming makes me think of oxymorons like “precisely sloppy” and “intensely casual” and “red hot chill out”.
Soul jazz ensemble The Greyboy Allstars have been around so long they have grown into their name.
The world of Khruangbin is made up of velvet sunsets, shimmering dunes, and cool river rocks. There’s also a guitar, some drums, and a bass. And lately, vocals.
Part of what will be known as the Great Australian Psychedelic Expansion, Bananagun is more incense and lava lamps than strobes and smoke machines.
Jade Hairpins don’t care about your repetitive song structures, man. That’s not how you cram five albums’ worth of material into less than forty minutes.
Following a proud tradition of weird Australian pop, The Stroppies give us the sort of incisive harmonic jangle the world needs right now.
There is no shortage of consuming urgency to the sound of this UK trio called simply Shopping.
Coriky is three musicians crumpling up their resumes, throwing them to the floor, and showing you exactly what they can do.
Habibi is what happens when you spill solvent on the psychedelic garage / surf music / girl groups section of your record collection.
With the thirty-fifth anniversary of debut album Whirlpool, UK shoegaze outfit Chapterhouse is back together again and touring the US as part of Slide Away Music Festival.
The Englert theater hosted Little Feat as they embark on their Last Farewell Tour.
Meiko Kaji’s katana is sharp and looking for revenge in Wandering Ginza Butterfly and its sequel, She Cat Gambler, a stylish pair of early ’70s action films.