Mixtape 114 :: Can’t Do Much
Katie Crutchfield, performing as Waxahatchee, has been slowly and steadily building her repertoire and now her talent is overflowing her banks.
Katie Crutchfield, performing as Waxahatchee, has been slowly and steadily building her repertoire and now her talent is overflowing her banks.
Double Date With Death are loud and Canadian, and they don’t care if you don’t understand their French howling. They have a double date to get to.
Well into their third decade, G. Love and Special Sauce still sound like they are in no particular hurry to get there.
It took Cheo a couple of years to get back into his usual Latin-flavored slinky tinkles after leaving his previous band, but we’re all glad to hear he’s back.
If you’re wondering if Acid Tongue is about having a particularly caustic wit, or about some sort of psychedelic dosage, the answer is yes.
Go ahead and call your band Great Grandpa. You better have something pretty weird up your sleeve.
If a mermaid learned to play surf guitar, she could give Olivia Jean some exciting competition, at least for a little while.
Born Ruffians hail from the Great White North, and they have an innate ability to craft razor-sharp hooks out of the simplest of riffs.
They call it Hotlanta for a good reason, but I’m sure The Black Lips have enough bad attitude to have way more colorful names for their hometown.
M. Ward could get by on his smoky velvet voice alone, but he also happens to be a supreme connoisseur of what alert musicians call songcraft.
It’s edgy and manic and insistent, and it’ll surely drive your lunatic friends to ask you who is making that racket. Make sure you tell them Clifffs is spelled with three Fs.
Straight outta Staten Island, the Budos Band has enough energy to power a nuclear submarine for seven months, allowing it to circumnavigate the globe three and a half times.
As you may suspect, Peter Bjorn and John hail from Sweden, and as you may expect, they do Anglophonic indie pop better than the Anglophones.
The Woolly Bushmen may look young, but they sound like a rusted IROC Camaro with a busted manifold roaring out of the 7-11 parking lot.
40 years down the road and Flipper remains a lovingly overwhelming evening, with David Yow on vocals.
DeVotchKa brings their strange Vegas-gypsy sounds to the masses at Colorado’s Mesa Theater.
Julius C Lacking has an evening of reflection at Red Rocks with some ’80s memories.
In Shambles (Pig Baby). Review by Julius C. Lacking.
In a small town in the middle of the American West, an indie icon makes an intimate appearance, and Julius C. Lacking was there.
Wasteland (In The Red). Review by Julius C. Lacking.
With the thirty-fifth anniversary of debut album Whirlpool, UK shoegaze outfit Chapterhouse is back together again and touring the US as part of Slide Away Music Festival.
The Englert theater hosted Little Feat as they embark on their Last Farewell Tour.
Meiko Kaji’s katana is sharp and looking for revenge in Wandering Ginza Butterfly and its sequel, She Cat Gambler, a stylish pair of early ’70s action films.