The glass bottom boat of the cultural press
Intensely personal and disturbingly familiar, Sparrow L. Patterson’s debut novel, Synthetic Bi Products follows a tough teen bisexual girl from the suburbs of Chicago through an early ’90s downward spiral of sex, drugs, and shoplifting. Julio Diaz can relate.
Be A Criminal (Revelation). Review by Daniel Mitchell.
Iceberg Defect :: The Not-So-Wonderful Non-Wizard of Oz :: Friday, November 9th, 2001
Good Clean Filth (Long Beach). Review by David Lee Beowulf.
Mink Car (Restless). Review by Julio Diaz.
I Duel Sioux and the Ale of Autumn (Grand Theft Autumn Records). Review by Randall J. Stephens.
LeRoy Shield’s Our Relations (Basta). Review by ,Carl Glaser.
Time (The Revelator) (Acony). Review by James Mann.
Robert Pete Williams (Fat Possum). Review by James Mann.
Atomic (RCA). Review by Liza Hearon.
The New Era (Mixed by Slipmatt) (Moonshine). Review by Vanessa Bormann.
Disconnect Your Head (Tommy Boy). Review by Vanessa Bormann.
Sinomatic (Atlantic). Review by Vanessa Bormann.
Live Evolution (Sanctuary). Review by Nathan T. Birk.
Modjo (MCA). Review by Vanessa Bormann.
Archikulture Digest :: Number 22: 2001 Holiday Edition :: Thursday, November 8th, 2001
This year, Lee Ann Leach is thankful for the bad things in life…
Various Artists (Wall Of Sound). Review by Vanessa Bormann.
You Must Be Present to Win (Let’s Roll). Review by Phil Bailey.
Sounds Like Christmas (Magna Carta Records). Review by Carl F. Gauze.
With the thirty-fifth anniversary of debut album Whirlpool, UK shoegaze outfit Chapterhouse is back together again and touring the US as part of Slide Away Music Festival.
The Englert theater hosted Little Feat as they embark on their Last Farewell Tour.
Meiko Kaji’s katana is sharp and looking for revenge in Wandering Ginza Butterfly and its sequel, She Cat Gambler, a stylish pair of early ’70s action films.
