The Wildwoods
Dear Meadowlark. Review by Peter Lindblad.
Faced with the rich sonic twister of music ever churning around us, our writers strap on headphones and hunker down with these tunes and their words to lead everyone to the bottom of what sounds good right now.
Dear Meadowlark. Review by Peter Lindblad.
For Melancholy Brunettes (& sad women) (Dead Oceans). Review by Bob Pomeroy.
Thunderball (Ipecac Recordings). Review by Peter Lindblad.
Tripla (Bella Union). Review by Peter Lindblad.
Slipper imp and shakaerator (p(doom)). Review by Julius C. Lacking.
Jungle Cruise (In the Red). Review by John Seebach.
Leopard Skin (Cleopatra Records). Review by Christopher Long.
Empire (Flotation Records ). Review by Randy Radic.
Baby Don’t. Review by Bob Pomeroy.
Alkebulan II (Vitae Records). Review by Randy Radic.
“Call of the Wild” (Silver Side Productions). Review by Randy Radic.
Impressions (Rewound Echoes). Review by Bob Pomeroy.
“Little Dreaming” (Darkroom / Polydor / Capitol). Review by Danielle Holian.
Everything Changes, Everything Stays the Same (Tapete Records). Review by Peter Lindblad.
Stories I Only Tell My Friends (Blackbird Records). Review by Bob Pomeroy.
From Now to OK (Independent Project Records). Review by Peter Lindblad.
Best in Show (Seaview). Review by Randy Radic.
Mood 4 Love (Five Spice Entertainment). Review by Randy Radic.
Bone Bells (Pyroclastic Records). Review by Bob Pomeroy.
Birthmarks (Wharf Cat/Bella Union). Review by Peter Lindblad.
John Badham’s 1983 future-tech helicopter thriller, Blue Thunder, with its cautionary tale of militarized police and a surveillance state, still resonates decades later.
What if the miracle of sight came with a curse? The Eye builds its horror from that chilling premise.
With the thirty-fifth anniversary of debut album Whirlpool, UK shoegaze outfit Chapterhouse is back together again and touring the US as part of Slide Away Music Festival.
The Englert theater hosted Little Feat as they embark on their Last Farewell Tour.
Meiko Kaji’s katana is sharp and looking for revenge in Wandering Ginza Butterfly and its sequel, She Cat Gambler, a stylish pair of early ’70s action films.