Agnostic Front
Dead Yuppies (Epitaph). Review by Nathan T. Birk.
Dead Yuppies (Epitaph). Review by Nathan T. Birk.
Day of the Death (Epitaph). Review by Brian Kruger.
How I Spent My Summer Vacation (Epitaph). Review by Brian Kruger.
Idle Will Kill (Epitaph). Review by Brian Kruger.
Who else but Pennywise could get a song called “Fuck Authority” on the radio, and still have the punk rock muscle to back up the message? Kiran Aditham talks about politics – both in the world at large and in the music industry – with guitarist Fletcher Dragge.
Various Artists (Epitaph). Review by Brian Kruger.
A Flight and a Crash (Epitaph). Review by Brian Kruger.
Time is the Distance (Epitaph). Review by Brian Kruger.
You get a general inkling as to the nature of this record when the opening cu…
Mechanical, industrial-sounding beats start out the latest release from hardc…
This is New York hardcore, as the first page of the liner notes proclaims. It…
Another very solid effort by the band which some will unfortunately continue …
If one were to put together a top ten list consisting of the most degenerate,…
Serious Angst from the invincible legends of NYC hardcore. The first song sho…
Riot Riot Upstart (Epitaph). Review by Nathan T. Birk
Street Art Gallery (Epitaph). Review by Patrick Rafter
End of the Millennium (Epitaph). Review by Patrick Rafter
Straight Out of the Pit (Epitaph). Review by Tony Coulson
@#!* (Epitaph). Review by Felizon Vidad
Hopeless Romantic (Epitaph). Review by Patrick Rafter
With the thirty-fifth anniversary of debut album Whirlpool, UK shoegaze outfit Chapterhouse is back together again and touring the US as part of Slide Away Music Festival.
The Englert theater hosted Little Feat as they embark on their Last Farewell Tour.
Meiko Kaji’s katana is sharp and looking for revenge in Wandering Ginza Butterfly and its sequel, She Cat Gambler, a stylish pair of early ’70s action films.